Can you godfather twice

However, this practice was not incorporated until the s. The accordion played in the wedding scene was an "Excelsior" model that was not manufactured until the s. The same goes for the "prop" accordion seen in the shoot-out, where the accordion is on a chair with the bellows open.

The older accordions did not have the same features. The main gate of Woltz International Pictures shows the rear of a car which is either a or Chrysler. When Vito Corleone is being shot at, one of the thugs is carrying a Beretta model 70 which was not in production until Michael reads a New York Mirror newspaper account of his father's brush with death.

The page is fabricated but inserted into an actual newspaper, which appears to be the NY Daily News. The Daily News page on the opposite side shows a story about a Catholic mass celebrated at St. Patrick's Cathedral, written by a reporter with a Hispanic surname. A minority's byline would never have appeared in the News at that time; minorities did not attain the status of reporters at that newspaper until the late s or early s.

Also, the barely readable text in the story says the mass was said by Terence Cardinal Cooke, who was then a parish priest and did not become a cardinal until Tom Hagen flies to California to see the movie producer in a Lockheed Constellation. The first production model of the Lockheed Constellation was not produced until , and did not enter commercial service until even later.

Tom's flight was apparently in "almost " according to movie dialog. As Carmela 'Mama' Corleone is singing at Connie's wedding, the pianist above and to our right is wearing glasses with s plastic frames. When Apollonia drops her nightgown, she has tan lines from a bikini top. Apollonia would not have been allowed to wear a bikini given her family values. The plots of the first two movies take place from the s to the early s; however, Diane Keaton appears wearing one of the most popular hairdos of the s, the 'back tease flip' hairstyle which was popular with first lady, Pat Nixon, at the time this film was made.

In the scene where Vito is being returned home via ambulance, a pale yellow Lincoln Convertible is also shown. It is supposed to be "almost " according to Hagan. It's unlikely TV listings were in the newspaper in the s. Every hairdressing, makeup, costumes, props and every several set decoration in general do not correspond to the era that the events are supposing to be happening and looks more from the early 's.

During Sonny and Carlo's fight, one of Sonny's "movie" punches is shot from the wrong angle and clearly misses, but still produces the sound of an impact.

When Moe Greene says his line "I talked to Barzini", it's obviously dubbed in. His lip-movements, however, show that he only says " When Don Corleone is heard, off camera, introducing the heads of the other families and where they're from, at the meeting, his voice is noticeably different than it was in scenes before or after. In Vito's brush with death, one hitman's pistol emits a muzzle flash, visible just after a cut to the overhead shot of them running away, but there is no accompanying sound effect for this last gunshot.

During the scene of the meeting between Moe Green and Michael, The boom mic can be seen clearly, as Moe sits down for the first time. A shadow also reflects a hurried movement behind the camera. When Tom Hagen is trying to convince Sonny not to go to war after Vito Corleone was almost murdered, he states that the Corleone family will be outcasts and all the five families will go after the Corleone family.

However, the Corleone family is one of the five families, so he should have said that the other four families will go after the Corleone family. When an old man sings "A Luna Mezzo 'O Mare" during the wedding celebration, his dentures can be seen coming loose. He re-sets his teeth without missing a note. He does Top, Right, Bottom, Left.

It's Top, Bottom, Left, Right. When Sonny is beating Carlo, the actor Frank Sivero is watching the fight. When Vito Corleone shows Johnny Fontane out of his office, we see an extra walk onto the frame from the left, but as soon as she sees Vito, she quickly lets out a little smile and backs away, as if she was in the wrong place.

In a scene in a kitchen, gun shots are heard. As neither Vito nor his associates have ever been convicted of a crime, surely they could get the newspapers to go along with their olive oil cover story. When Michael Corleone is leaving the safe-house in Sicily by car to meet Apollonia, the driver clips the gate on the way out causing the hanging decoration to fall off.

As Michael is walking out of the restaurant, after killing Sollozzo and McCluskey, you can see where he bumps into the camera by the momentary jerk of the picture just as he passes. When Don Corleone is talking to the pastry shop owner during the wedding scene, the man is holding a small shot glass.

As he is getting up to grab Don Corleone's hands, the glass is still in his hand but in the next shot it is gone. Fredo removes his sunglasses twice during Michael's meeting with Moe Green.

Then, the scene cuts to the entrance of the wedding cake outside. Sonny can be seen with the white flower in his lapel standing by the cake. Then, the scene goes back to the office where Sonny is still present with the Godfather.

The waiter fills Tom Hagen's glass twice within seconds during his dinner with Woltz. Enzo the baker visits Don Corleone in the hospital after he is critically wounded. Enzo is holding a large bouquet of pink carnations and baby's breath. Later, when he is standing outside the hospital with Michael, the bouquet has been changed to a much smaller one with orange carnations. In the wedding scene, immediately after Kay Adams meets Tom Hagen, the cigarette in her hand disappears and then re-appears.

The blood on the bed in the "horse head" scene. First it's there, then it disappears. While Michael is talking to Apollonia's father after he has given her the necklace. The same two people pass by twice - once in a close-up of Apollonia and the other in a wider shot. When Sonny talks to Paulie in the meeting room and tells him to get some brandy for his cold, his right hand is between his legs.

In the next shot, Sonny's right hand is on top of the couch. When Michael is telling Kay about Luca Brasi, she has a cigarette in her left hand which disappears and re-appears between shots. A few seconds later, the cigarette is gone and Kay has a fork in her left hand which then jumps to her right hand. While Michael is telling Kay the story of Luca Brasi, the gun and the contract, Michael is leaning back in his chair, but we cut to Kay on the other side of the table and Michael is leaning forward.

After Vito Corleone's brush with death, Fredo sits next to the front of the car on the pavement and next to Vito's head. But following that, when pedestrians walk towards Vito, Fredo is gone, then he is back in the same place in the next shot. As Luca Brasi is sitting outside Don Corleone's office talking to himself, practicing his little tribute, he is clearly wearing a rectangular-faced watch with 'solid' strap on his left wrist.

A few moments later as he gives his thanks to Don Corleone, the watch has become round-faced with chain link strap. When the dons meet, one of them sits back twice: once before and once after an edit.

After his brush with death, Don Corleone lays on his back with his right arm folded on his chest. Thereafter he appears turned to his left side, with his right arm stretched-out on his right side. When Salvatore 'Sal' Tessio brings the package of dead fish to the meeting in Vito Corleone's study, the paper is disarranged and a little open.

But when Sonny Corleone takes it, it is tidy. Mark McCluskey, we see that there is a long distance between the two men on the back seat and Michael on the front seat. However, in the next shot, with Michael in close-up, the two others appear just behind him. When Michael meets Moe Green in Vegas to buy him out, he gets out a pack of cigarettes, then we cut to another angle and he does it again.

After leaving the 'peace conference' the interior camera in their car shows Don Corleone and Tom Hagan discuss various aspects of the meeting, While this discussion is going on, the headlights of a tailing car is observed the whole time, right up close to their own car.

However, the scene cuts immediately to a roadside camera, showing the Don's car speed off into the distance, but the tailing car is nowhere to be seen. In the closing scene when Michael Corleone allows Kay Adams to "ask about his business", the knot in his neck-tie goes from crooked to straight during the course of the scene, but we never see him straighten it.

Before Vito is shot, he looks down the street and sees the two assassins turn a corner. They turn left to face towards him, indicating they were on the same side of the street as Vito. When they start running towards him, however, they step to the left to get on to the street. That would mean they had to be on the opposite side of the street. In the first scene of the film, Bonasera approaches Don Corleone to whisper to him.

He keeps his left arm by his side. In the next shot he takes his left hand from Don Corleone's chair back. When Luca Brasi is killed in the bar scene, the knife is clearly thrust thru his left hand. However in the subsequent shot showing him sinking down as he is being strangled the knife appears thru his right hand.

Michael's jacket is open a few inches near his tie as McCluskey pulls back his arm to hit Michael. After the cut, his jacket is closed and straight when he gets punched. As Sonny Corleone receives the fish, the pillow on his lap changes positions in between shots. The gun that Sonny Corleone gets from the drawer in the dining room when Peter Clemenza comes to the house following the attempt on the Don's life, is in his belt, disappears when he throws Clemenza against the counters and re-appears as he turns around after talking to his wife.

When Michael reads the paper about his father's brush with death, he crumples it and then starts to run across the street. They will then be listed as the godparents.

If the child has been baptized and confirmed there is no way to change the godparents in the eyes of the church. Legally, you can draft a will naming the new godparents as the caretakers of your child should you die. Let the potential godparents know about the will. File the will with a trust or lawyer.

Should you pass away, your offspring will be the legal responsibility of the new godparents. Michael Wallace has been a freelance copywriter and journalist since He served in the U. Specializing in writing technical articles, Wallace has contributed to city publications such as "San Diego City Beat. By: Michael Wallace. How Does Temporary Guardianship Work? Step 1 Speak to the people you would like to be the godparent of your child and find out if they are willing to take on that responsibility.

Michael professes belief in God, Jesus Christ, the Holy Ghost, and the Holy Catholic Church while the camera cuts to the men Michael commands as they prepare to commit acts completely contrary to the Trinity and the Church. His two-fold baptism is indeed complete. As a child, Fredo had once gone fishing with his brothers, and he attributes his success on that trip to the fact that he said a Hail Mary before each cast. In the boat with Neri, in a medium long shot, we see Fredo fishing, and hear him say the words of the Hail Mary.

We hear a gunshot, then the camera cuts back to the boat, with only Neri visible under a stark and gloomy sky. As Michael is honored, he remembers his greatest sin, and Coppola shows it to us in full. The effect is powerful. Decades have passed, yet Michael remains burdened by his sin. He knows, even as he is given a papal blessing, that his life is one of complete hypocrisy and depravity.

Michael has betrayed and blasphemed the Church in a mockery of baptism. He has committed the murder of his own brother. To the world, he is beyond redemption. But the world is not the Church. In Italy, Michael meets Cardinal Lamberto, a man destined to become the next pope the implication in the film is that he becomes John Paul I. One afternoon, in a church garden, Michael and Cardinal Lamberto are talking together.

The cardinal is explaining to Michael how modern Europe, and by extension Michael himself, have not been penetrated by Christ.